London: Head of Zeus Ltd., 2016
Translated by Ken Liu
Death’s End is the final part of Cixin Liu’s extraordinary trilogy that began with The Three Body Problem and continued with The Dark Forest. There are some spoilers in this review of these earlier books.
Humanity was challenged by the Trisolarans, whose fleet of seemingly all-powerful spaceships are inexorably speeding through the night towards earth. Advanced technology meant that a Trisolaran presence already existed and it was able to prevent humanity making any new scientific breakthroughs. To keep the alien enemies at bay, those few individuals chosen to lead the defence of their people make public the desperate danger of the Dark Forest – any species that demonstrates the ability to travel in space and allows its location to be broadcast will be destroyed by unknown aliens. It may take some time for the final strike to be made and it may be possible to make some preparations but it does appear that resistance is, ultimately, futile.
This is the situation at the beginning of Death’s End – a tense stand-off with the Trisolarans over an enormous expanse of space. One person has been designated as the Swordholder and he is the one responsible for triggering the death of the enemy’s home planet if their ships stray beyond the agreed limits. However, the Swordholder is just one person and he cannot live forever – he spends his entire life staring at the wall on which the Trisolaran ships are portrayed being ready to pull the trigger at any moment and knowing that his every moment is under scrutiny from afar. Would the next Swordholder prove to be as steadfast?
It is in this way that Cixin Liu injects humanity into the larger philosophical issues in which he seems to be so interested. This involves the comparison between what appears to be required and what the individual can provide. Of course, some part of what constitutes the individual human character depends on the experiences that person has undergone and, hence, it is necessary to show some parts of that experience. This is a slightly roundabout way of saying that this is primarily a science fiction novel of ideas in which human characters are required to tell the story but who are, otherwise, not of much interest. Readers interested in character development, insightful dialogue and so forth are likely to be somewhat disappointed. To some extent, this might be an artefact of translating Chinese into English – Ken Liu does a fine job in providing a lucid, readable text but there are so many cultural and social intonations which are difficult to get across without intrusive footnotes or other explanations that some of that content has had to be omitted. This is something of a pity but it is the action that grips on the macro-level rather than what is going to happen to individuals on the micro-level.
In fact, the initial deadlock is quite quickly resolved and the book goes on in several subsequent sections to investigate additional phases of the story. It is not giving much away to say that the narrative graduates towards the far future and includes some startling observations about the universe – not the least is the source of all the dark matter and dark energy that constitutes the cosmos but what about which we know so little. Despite this, the sense of awe and wonder that readers might have does not fade. There are still plenty of mysteries to consider.
As a trilogy, these books represent an extraordinary journey from the initially fairly small-scale issue of the nature of a bizarre and somewhat threatening video game to the conclusion so far away. While the books do hold together in a sufficiently coherent way, it is tempting to think that the author worked on the series one step at a time and did not, necessarily, have the full vision in his mind as he wrote. If this is the case, then it does not really matter since people write in different ways and the best-laid plans gang aft agley, after all. Besides which, there are such things as editors to take care of any inconsistencies and infelicities. This is terrific stuff.